Showing posts with label Featured Artists. Show all posts
Showing posts with label Featured Artists. Show all posts

Wednesday, 6 May 2015

May's Featured Artist - Susan Lenart Kazmer

It's May already so it's high time to introduce you our new Featured Artist. Last time we had Wendy Vecchi, who is an amazing mixed-media artist creating fabulous art journals and cards with her products. This month we would like to familiarize you with a different form of mixed-media art. Our guest is absolutely unique in her creations, and her style is very easy to recognize. She is combining jewellery making with mixed-media and collage, creating incredible art. Our Featured Artist this month is... 


Susan Lenart Kazmer - award-winning jewellery designer, instructor, and author who pioneered the use of found objects in jewellery-making. Her products - Ice Resin, Iced Enamels, books, papers, bezels are unique and inspiring.

We asked our May's Featured Artist to tell us something more about her and answer few questions, so we hand you over now to Susan:

My work is built on years of researching cultures, repairing
ethnographic adornment, Art school, training in the craft of
metallurgy and a strong fashion back round. This has made my
work that I call, Expressive Adornment, a unique voice in the
industry. My work includes building Talismans, Prayer boxes,
Amulets and magic for the fashion, museum, gallery and
commercial world for over 20 years.
Susan’s early hand made collection began at Henry Bendell, Banana Republic, Nordstrom, Ann Taylor and more, where she began building a handmade and a commercial line of jewellery.  Susan’s work participated in numerous museum exhibits including Smithsonian and Art Institute of New York. Author of her second book, RESIN ALCHEMY, an Amazon 2013 best seller list, It includes a pioneering ten year body of work combining metal and resin. She also creates a successful commercial line of components called, Industrial Chic.
Susan’s innovative new work can be seen in March 2014 issue of U.S. ELLE as she re-enters the fashion world and on the runway in New York.


How did you develop your style? Was it a gradual process or did you always have a specific artistic vision? Explain.  
I have both. I trust the process. I usually get my cues from what is around me. I usually go intuitively. I have taken a cue right now for new beginnings in my work. I'm working with heavy gauge wire, circles, sheet metal. I take my cues of what I'm feeling and what I feel I need to work on. I build for myself. It takes a lot of courage to build for yourself and then bring it out into the world as new ideas.
  
What are you most proud of? 
To not have fear of exploration. I am very willing to go into my studio and fully explore a medium from the beginning and attempt to push it as far as I can. For example, one of the editors of a very prominent magazine said to me that resin was not even a material in the fine art world into I brought this medium into the market with work. It took a lot of courage to have my jewelry work with resin viewed as a viable material in the art world, but because I first went into my studio and worked it out and came up with a museum-quality body of work, I knew I had done my best to create something fresh and new and unique. I believed others would see it that way as well. 
  
Where do you see yourself going in the next couple years? What are your goals?  
Recently I just had 10 pages of my work in Elle Magazine (March 2014 issue) and I began working with a stylist on my wearable adornment. I'm considering some opportunities that have presented themselves to go back into the fashion world. In the 1990s when I was just out of art school, I was fortunate to have some instant success with my fashion jewelry line called LenART Collection. I built one-of-a-kind pieces that were sold at Banana Republic, Anne Taylor, Barneys New York and other high end boutiques in New York and Los Angeles. 
What do you want the readers to know about you and your work? Any special advice to other designers who are just getting started? 
Follow your heart and do not look at what people are doing or what is popular now. I think my success has come from just building and being true to myself even if my work wasn't in the fashion of the time. If you build from your own experiences, your own life, your own heart, you time will come. Stay true to you and do not absorb others. 
  
What are some of your special finishes?   
I spent years working with liquid enamels and enamels and love the glass surface it brings to metalwork. There are a lot of people who don't want to use kilns so I came up with a surface finish that looks like enamel work - called cold enameling that uses paints, Iced Enamels and resin (glasslike surface). Iced Enamels is a whole new category in itself and I've been able to do some brand new and interesting work with this cold enameling medium. 
Susan is definitely an inspiring artist, but also lovely and kind person. Me and Jamie are both huge fans of her style, and we are sure that many of you also adore Susan's creations. Here are some of them:





 Some of products Susan Lenart Kazmer used in above projects:


And there is even more coming. Through the whole of May we will share inspirations with products from Susan Lenart Kazmer - Ice Resin, Iced Enamels etc, including more of Susan's works and videos. We are also going to have a few very talented guest designers so stay tuned.

Please also remember that you can win Susan Lenart - Kazmer's DVD in our May challenge - "Exploring Resin Jewellery - Making":



Have a lovely day!

Wednesday, 15 April 2015

April's Guest Designer - Anne Redfern

Hello!
We hope you enjoyed Wendy's tutorial from the last blog post because today we have even more for you. There is another special guest on our blog - our April's Guest Designer - Anne Redfern. Anne is a regular customer and visitor to our shop and a very talented artist and blogger who loves Wendy Vecchi products and creates magic with them. She has designed a project especially for us, and we hand you over now to Anne:


I was so thrilled and very honoured to be asked to be Guest Designer for Artist Trading Post where the fabulous Wendy Vecchi is being featured this month.  I adore Wendy's style and products, of which I have many, the hardest decision was - which ones do I use!
I created a card which is very much in Wendy's style but I used a 'variation' on her wonderful faux plaster technique to create my background.




Plain white, uncoated card was used for the base.




Archival inks in Potting Soil and Forget-Me-Not were applied to the card with a blending tool.  There is no need to wait until it dries.



Place some Rubbing Alcohol/Surgical Spirits in a small spritzer bottle and spray lightly over the card.  A fine mist is best (make sure to work in a well ventilated space).  It will dry very quickly.  Next, give it a very light spray with Picket Fence Distress Spray Stain and allow to dry. The result is a beautiful mottled effect.
Using one of Wendy's Stamp it, Stencil it, stamp the design in Archival Ink and use the Stencil along with Archival Inks to colour the flower and leaves.


Colour and cut out several layers of flower to give dimension.  Use a cotton bud to add some shading to the centres of the flowers, again with Archival ink.
Stamp some Wendy flourishes and a sentiment and stencil on the other side to give balance to the card.  Add a small vase.  This one uses Wendy's famous faux crackled glass technique with alcohol ink in Sail Boat Blue dabbed over the top.
Above is a close-up of the background and beautiful Hydrangea flower.
I enjoyed doing the background so much, I created another card.  This time I finished off with Wendy's fantastic crackle paste, coloured with Potting Soil re-inker to create the stencilled pattern on the right.  The jug uses Wendy's faux graniteware technique.
 Apart from the Picket Fence Distress Spray Stain, all the products used can be found in Wendy Vecchi's range of products.  I do hope you like what I have created for you today and that you feel inspired to 'Create Art' the Wendy Vecchi way!  Thank you again to Artist Trading Post for having me as Guest Designer! 
 Hugs, Anne xx
 Products Anne used:



Thank you Anne for sharing your beautiful project and technique with us. You are a constant inspiration! 
Have a beautiful day!

ps. If you would like to be one of our guest designers enter our challenge which ends in 6 days:)

Monday, 13 April 2015

Wendy's Faux Graniteware tutorial.

Hello!
Today we have something special for all of you who like to learn new techniques. Our April Featured Artist - Wendy Vecchi is sharing her Faux Graniteware tutorial with us. We really love it as it's fun and unique, so we're sure you are also going to enjoy it :)





1. Choose a small clear glass jar or vase. 2. Choose one color of Archival Ink and the coordinating embossing powder.
3. Use the mini blending tool to add archival ink to a portion of the vase (just tap it on), then sprinkle with the embossing powder while the ink is wet.4. Use the embossing gun to melt the embossing powder.
5. Allow the glass to cool before proceeding. Heated glass gets HOT.


Continue adding archival ink to the vase & adding embossing powder. Heat the powder to melt. Continue to cover the vase. I did this in 3 sections.

Add a second layer of archival ink, then embossing powder (if desired) to create a smoother finish. This is optional..sometimes I do, sometimes not.
Allow the glass to cool completely.


6. To create an aged effect, use Potting Soil on a blending tool to add ink in random areas, starting at the top.

DO NOT DRY the Potting Soil ink. The Glacier White will absorb some of the Potting Soil and make it less stark.
7. Use the unmounted spatter stamp with Glacier White to add dots to the top of the vase as shown. Dry with the Heat-It tool.
8. Continue adding Potting Soil to the rest of the vase. DO NOT DRY. Use the unmounted spatter stamp with Glacier White to stamp over the vase & dry with the Heat-It tool.
9. Choose remnant rubs and add to the vase with the Remnant Rub Tool. Ignore that red heart! I decided not to use it…lol.
Here’s the completed vase all ready for some fresh flowers.
  • THINGS TO NOTE:
    If it can “take the heat” it CAN be embossed. This technique can be used on multiple surfaces including bare wood, glass, metal, art parts, Magic Matboard, die cuts, Grungeboard, cardstock, manila tags, chipboard and more.
  • This technique is a great way to transform a discarded glass jar or simple vase. Repurposing and giving a new life to older items is fun.
  • ALWAYS use archival ink for this technique, especially when using metal, wood or glass. The archival ink bonds the embossing powder to the surface. Embossing inks will not work.
  • An unmounted stamp works well and can easily conform to the shape of your surface.
    Since the vase is glass and the embossing powder is waterproof, this makes a great usable vase for fresh flowers. 
  • Vintage graniteware comes in many colors, so the sky is the limit for color choices.
    This makes a great gift and can be color customized to coordinate with any decor.
    Check your stash for metal embellishments and change them to coordinate with your project.
TRUST ME…try this technique just once and you’ll be on the lookout for things that can “take the heat”!
Wendy
Products Wendy used:
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And if you want to know what are we up to now let me just say... we're very very busy with preparing  the class room for the next workshop at Creative Wirks - "30 media" (we still have two spaces!). There are also few places left for Lin Brown class in May. More details here.