Hi everyone,
Ruth here for our next Exchange Day Post. I have products
that are my go to and I use most of the time like Fresco Paints and
Distress Inks and then other products which I like to have a play with
every now and then such as Alcohol inks and Pan pastels. I think Acrylic
Pigment Ink
(API) will now fall into this second category following my playtime!
The product I've used is
IZINK,
I think it's been around a year or two and a few months ago Aladine who
make it and Clearsnap who distribute it bought out several new colours
including pearlescents.
I only recently became aware of it and thought I'd share some of the
results of dipping my toe in the water with it. Before Christmas I was
looking for quick ideas for Christmas cards and saw a you tube video by
contadinaK (title- dry embossing and paint) and that was closely
followed by a Donna Downey one exploring the same product so I thought
'ooh that looks interesting' and yes I was tempted and the basket magnet
worked it's magic! There are several IZINK videos on you tube if you
want to know more about the product and some project ideas.
My understanding is that because Pigment Ink has pigment suspended in
it, it's therefore thicker than dye inks and that affects how it reacts.
Apologies for poor lighting in some of the photos, role on lighter
nights.
On the left is
Black India Ink, the right one is IZINK API in cactus
Sprayed with water the India Ink spreads quickly.
Distress re inker in wild honey v turquoise API sprayed with water and I've used
watercolour card stock
I thought this experimental piece had potential, the wild honey has
spread but the API although remaining thick in the central part, spreads
out even quicker. I think this quality and how it brayers are what I
most like about pigment inks.
Brayered Distress Inks and
Smoothy stamping card
Brayered API...much thicker so doesn't sink in the same and spreads more.
On absorbent surfaces you can use more ink and keep layering up the colours.
On metal foil sheet, you can see that it's more gloopy and can leave a nice texture.
On foil and any non absorbent surface you only need a tiny amount and it
must dry one colour before you put the next layer on or they will just
blend together. It dries very quickly though. This is on glossy card
stock.
The dry embossing technique from the video followed by gesso lightly brayered over.
The same technique as the base for Christmas cards. Love the holly top right.
I was inspired to create some journal pages out of these. I didn't feel
the first needed much more so I've just added some simple stamping with
Stampers Annonymous
SCF005 and black stitching around the pigment ink. Tension stitch not quite right but it works!
I took another sheet of watercolour paper and applied the same colours
but diluted them much more. This would then tie the 2 journal pages
together, I also used some
Wendy Vecchi clear embossing paste randomly through a
Tim Holtz bubble stencil just to add some texture.
I stitched some shapes onto the other inked sheet before cutting out and applying. The text stamps are
Lin Browns ELB06
I hope I've encouraged you to experiment with Acrylic Pigment Inks or
maybe products you've already got, just to see what else they can
do....you maybe surprised. You might even share your results with us in
our current challenge which is appropriately
'Fresh Beginnings', you
can find the details
here, there's one more week to enter.
Thanks so
much for stopping by. Ruth x